that it is elegant, is that it hardly invites copying. Joiner’s art and the love of wood have been present as long Staffan Holm can remember. And the carpenter’s bench has been close to him since childhood. There were also role models. Grandpa was a carpenter, skilled at carving figures. Grandma encouraged early on carpentry grandson, gave him a lathe so that he could soon start experimenting at home in the basement. The dream was to become a cabinetmaker. Staffans journeyman’s work is a cupboard in cherry wood with finger-jointed drawers and intarsia inlays. Still the idea of becoming a furniture designer didn’t occur to him yet. Rather, it was something meditative in the slow woodworking process and the tactile experience of wood that attracted. Eventually however, the realization that one could become a designer started to pull. After the third request, he was admitted at HDK, Gothenburg and ended up in a world where especially the dialogue with all involved peers came to give unexpected impulses, broadened interest in design and the ideas of sustainable development. As it is not enough just with shapes controlled by practical function.
It’s always important to talk about the feeling. It must be included in any project, explains Staffan Holm.
